The Sussexes had their Netflix polo show taken 'out of their control' by bosses, insider claims - as couple face withering reviews and even pro-Sussex magazine admits the Duchess' projects 'keep flopping'

Reports suggest that Prince Harry and Meghan Markle's latest Netflix series, Polo, faced significant production challenges, with insiders claiming the show was largely "out of their control." Despite being listed as executive producers, the Duke and Duchess of Sussex reportedly had minimal influence over the final product, which has received overwhelmingly negative reviews.

Meghan Markle and Prince Harry arrive at the Grand Champions Polo in Wellington in April this year

Critics gave the series two stars or less, questioning both its content and execution. Harry, 40, and Meghan, 43, appear only briefly throughout the five-episode series, a notable departure from their usual on-screen presence. According to a source in Closer magazine, Netflix executives pushed for a more reality TV-oriented approach to appeal to broader audiences, which may have conflicted with the couple’s vision.

The backlash adds to speculation that Netflix may be growing "exhausted" with the Sussexes, particularly following other underwhelming projects in their £80 million deal.

The couple received scathing reviews for their latest TV endeavour Polo, the newest installment of their £80million deal with the streaming service 

The claims surrounding Harry and Meghan’s Polo docuseries highlight a growing disconnect between their vision and the realities of content production at Netflix. According to insiders, the streaming giant allegedly pushed a reality TV slant to appeal to mainstream audiences, sidelining the couple’s input. The irony, as the source noted, lies in Harry and Meghan producing the very type of content they have often distanced themselves from.

Adding to the couple’s woes, The Cut, a magazine once favorable to Meghan, appears to have shifted its stance. Known for a 2022 cover interview in which Meghan made polarizing comments about the royal family, The Cut recently published a critical article titled “Harry and Meghan’s Projects Can’t Stop Flopping”. This shift mirrors a broader trend of diminishing patience among U.S. media outlets and audiences, suggesting waning support for the Sussexes’ ventures amid ongoing underperformance.

Meghan's 2022 cover interview with the magazine sparked backlash with its claims against the royal family


The backlash surrounding Polo underscores the challenges Harry and Meghan face as content creators, particularly when expectations clash with public reception and streaming platform demands.

The release of Polo, the latest installment from Prince Harry and Meghan Markle’s Netflix deal, continues to fuel criticism as it struggles to meet expectations. Despite Harry’s promise that the series would capture the “true depth and spirit of the sport” and its “high-stakes moments”, the reality fell short, with the couple appearing only briefly in the five-episode series.

Critics have taken aim at the production’s format, which reportedly shifted toward a reality TV-style presentation to appeal to mainstream audiences, a direction allegedly driven by Netflix executives and outside the couple's control. The resulting backlash has been compounded by a notable shift in media attitudes. The Cut, once one of Meghan’s staunchest supporters, recently published a scathing piece titled “Harry and Meghan’s Projects Can’t Stop Flopping”, signaling waning support from even traditionally sympathetic outlets.

This marks a stark contrast to the glowing coverage Meghan received during her 2022 interview with the publication, where she shared controversial comments about the royal family. The apparent cooling of U.S. media sentiment reflects increasing fatigue surrounding the couple’s ventures, particularly as their content fails to deliver on its ambitious promises.

The underwhelming reception of Polo, Prince Harry and Meghan Markle’s latest Netflix venture, raises concerns about the longevity of their £80 million deal with the streaming giant. The five-part docuseries, which focuses on polo players like Adolfo and Poroto Cambiaso, Timmy Dutta, and Nacho Figueras, has failed to impress critics, receiving scathing reviews across the board.

The reviews are in for Harry and Meghan's latest Netflix endeavour Polo (pictured), the latest installment of their £80million deal with the streaming service


Industry expert Ede warned that the success of Polo will hinge on whether it breaks into Netflix’s Top 10, a key metric driven by viewer algorithms. While the Sussexes’ projects have often attracted initial interest due to public fascination, the show faces stiff competition from high-profile releases like Black Dove and seasonal crowd-pleasers such as Lindsay Lohan’s Christmas films.

Ede suggested this latest stumble could prove critical, stating, “This could potentially be a nail in the coffin for their deal with the streaming giant.” Netflix’s reliance on performance data to tailor content for subscribers leaves little room for underperforming projects, and repeated disappointments may test the platform’s patience with Harry and Meghan’s content ambitions.

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